place that serves fisherman. The marlin tries desperately to pull away. For example, readers can receive the novella as an engaging and realistic story of Santiago, the old man; Manolin, the young man who loves him; and Santiago's last and greatest battle with a giant marlin. But I will kill you dead before this day ends" (54). Don't be shy fish. He regrets not having cleaved off the marlin's sword to use as a weapon when he had the knife and apologizes again to the fish. But I have killed this fish which is my brother and now I must do the slave work" (95). Manolin objects, "The hell with luck. I do not care who kills you" (92). Soon, Santiago rows over the "great well a sudden drop of seven hundred fathoms response to unemployment where shrimp, bait fish, and squid congregate. Having killed the Marlin, Santiago lashes its body alongside his skiff.
The main character, Santiago is an old, lonely, unhappy man, which may have depicted.
The theme of The Old Man and the Sea is, "A man can be destroyed, but he cannot be defeated Oliver 83).
The Question and Answer section for The Old Man and the Sea is a great resource to ask questions, find answers, and discuss the novel.
Living Dead 7:54.
He is now faced with one of the biggest challenges of his life. At last it is next to the skiff, and Santiago drove his harpoon into the marlin's chest.
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"The shark's head was out of water and his back was coming out and the old man could hear the noise of skin and flesh ripping on the big fish when he rammed the harpoon down onto the shark's head" (102). As the sun sets, Santiago thinks back to triumphs of his past in order to give himself more confidence in the present. Eat them good now and then there is the tuna. Santiago then looks forward to nightfall as he will be able to see the lights of Havana, guiding him back to land. At each of these readings, the enduring work presumably yields extended interpretations and expanded meanings. Expressing his resolve, Santiago says, "Fish,.I'll stay with you until I am dead" (52). He cuts up the dolphin he has caught to prevent spoiling, and eats some of it before contriving a way to sleep. "What kind of hand is that Santiago says, "Cramp then if you want. After losing his harpoon to the mako, Santiago fastens his knife to the end of the oar and now wields this against the sharks. Critics have pointed to Hemingway's earlier essay which mentions a presumably real fisherman who travels far out to sea in a small boat, catches a great fish, and then loses it to sharks as the seed from which the novella springs. He accepts the inevitability of the natural order, in which all creatures are both predator and prey, but recognizes that all creatures also nourish one another. At the third turn, Santiago sees the fish and is amazed by its size.