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Literary Analysis of Much Ado About Nothing


literary Analysis of Much Ado About Nothing

of comedy to attack gender norms in the play is not too heavy a task. Like her eventual lover and husband, she is seduced by Don Pedros deception, the masque he arranges to lead both Beatrice and Benedick to the altar. Still another form of quibble is the exaggerated use of a metaphor. On the other hand, the reader who takes time to examine the explanatory notes and to reread lines will appreciate more the vitality of the characters and will experience more of the emotional impact of their words and actions in the play. An early history such. Sounds like a lot right? Dench recalls finding Sinden so funny and so perpetually unexpected that she would sometimes be laughing too much to make her ensuing entrance.

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In her 1993 book, The Friendly Shakespeare, Norrie Epstein identifies four types of Shakespearean humor: Puns : The epitome of wordplay. Shakespeare's frequent similes, metaphors, allusions, analogies, and other figures of speech are often based on ideas, events, and people familiar to most English playgoers of the time. Imagine if Beatrice wasn't as sassy, sweet, and loyal to her cousin Hero? When Don Pedro joins them, he begins using the familiar form, but in speaking to Don Pedro, Claudio now uses the more formal "you" as a term of respect toward his superior officer. In actuality, Shakespeare uses both prose and verse. The second use of verse is in Act II, Scene 1, when Claudio bemoans what he thinks is the loss of Hero to Don Pedro.

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