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Character Analysis in Othello

character Analysis in Othello

that Iago is literally impotent, causing his embittered sexual jealously. Iago's misogyny has been plain earlier in the scene and builds here: young women are portrayed as foolish, having an innately sexualised 'nature' (2.1.22223) and whorish for touching hands, even for thinking. Shakespeare shifts the action from, venice to Cyprus. In William Shakespeares Othello, the character Iago is, at least in my point of view, the main and most interesting character. A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety. The contrast is stark between Othello's stately verse (2.1.194204 and Iago's sneaking prose. This juxtaposition between Othellos transparency and Iagos duality identifies him as a sympathetic character despite his actions. Jealousy defines Othello and also the characters associated with his downfall. Setting the scene, in Act 2, Scene. Shakespeare intends to shock the audience with the language Iago uses. Ben Jonson s, volpone, also set in Venice, and John Fords 'Tis Pity She's a Whore.

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In the 17th century the audience would sympathise with Brabantio and not for Othello because Othello is an outsider. Shakespeare uses prose for many reasons: for comic or intimate exchanges, for lowly characters, for convention-defying princes such. Like a devouring sexual animal, Desdemona will need an attractive man 'to give satiety a fresh appetite' (2.1.21718). Iago makes it clear that his object is discord. Othellos Integrity, one of Othellos admirable qualities is that he believes that men should be transparent and honest as he is; Certain, men should be what they seem (Act 3 Scene 3 Line 134). Othello and Iago, iagos hatred of Othello is profound; he does not employ him as his lieutenant and there is a suggestion that he bedded Emilia previous to his relationship with Desdemona. In this manner, we are colluders, silent witnesses of his evil, failing to intervene. A celebrated soldier and trusted leader whose race both defines him The Moor and defies his lofty position; it would be rare for a man of race to have such a highly respected position in Venetian society. The relationship between Othello and. Othello would be very attractive to someone in Emilias position; he is very demonstrative in his love for Desdemona but sadly this turns sour and his character becomes more recognizable to Emilia as a result. Act 5 Scene 2, Line 301). Desdemona is graphically portrayed as rejecting continued consumption of Othello: 'her delicate tenderness will find itself abused, begin to heave the gorge, disrelish and abhor the Moor' (2.1.22122).

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